📒 In Cold Blood by Truman Capote

Genre : True Crime
Publisher : Random House Digital, Inc.
ISBN_10 : 9780812994384
Copyright Year : 2013-02-19
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Powerful account of the brutal slaying of a Kansas family by two young ex-convicts.

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📒 In Cold Blood by Truman Capote

Genre : True Crime
Publisher : Vintage
ISBN_10 : 1588361659
Copyright Year : 2001-10-09
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National Bestseller On November 15, 1959, in the small town of Holcomb, Kansas, four members of the Clutter family were savagely murdered by blasts from a shotgun held a few inches from their faces. There was no apparent motive for the crime, and there were almost no clues. As Truman Capote reconstructs the murder and the investigation that led to the capture, trial, and execution of the killers, he generates both mesmerizing suspense and astonishing empathy. In Cold Blood is a work that transcends its moment, yielding poignant insights into the nature of American violence.

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📒 In Cold Blood by Truman Capote

Genre : HISTORY
Publisher : Vintage
ISBN_10 : 9780679745587
Copyright Year : 1994
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An account of the senseless murder of a Kansas farm family and the search for the killers

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📒 In Cold Blood by Truman Capote

Genre : Murder
Publisher :
ISBN_10 : 0679745580
Copyright Year : 1965
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Genre : Literary Criticism
Publisher : Gale, Cengage Learning
ISBN_10 : 9781410335227
Copyright Year : 2015-09-15
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A Study Guide for Truman Capote's "In Cold Blood," excerpted from Gale's acclaimed Nonfiction Classics for Students.This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Nonfiction Classics for Students for all of your research needs.

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Genre : Literary Criticism
Publisher : University of Alabama Press
ISBN_10 : 9780817317560
Copyright Year : 2011-11-16
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"Truman Capote and the Legacy of ""'In Cold Blood"' is the anatomy of the origins of an American literary landmark and its legacy. "

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📒 The Death Of Donna Whalen by Michael Winter

Genre : Fiction
Publisher : Penguin Canada
ISBN_10 : 9780143178859
Copyright Year : 2010-08-31
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In her home on Empire Avenue, Donna Whalen was stabbed 31 times. Her friends, family, and neighbours believed it was her abusive boyfriend, Sheldon Troke. But the evidence is all circumstantial, providing a daunting challenge for police and prosecutors—and the course of justice takes many unpredictable twists and turns before the truth is finally revealed. In this mesmerizing work of documentary fiction, Michael Winter pieces together the transcripts and court testimonies of Sheldon's trial. He preserves the nuanced voice of each witness, and the result is a harsh account of the tragedy that befell Donna Whalen and the controversial aftermath that tore her town apart.

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Genre : Fiction
Publisher : Vintage
ISBN_10 : 9780307431578
Copyright Year : 2007-12-18
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Truman Capote’s first novel is a story of almost supernatural intensity and inventiveness, an audacious foray into the mind of a sensitive boy as he seeks out the grown-up enigmas of love and death in the ghostly landscape of the deep South. At the age of twelve, Joel Knox is summoned to meet the father who abandoned him at birth. But when Joel arrives at the decaying mansion in Skully’s Landing, his father is nowhere in sight. What he finds instead is a sullen stepmother who delights in killing birds; an uncle with the face—and heart—of a debauched child; and a fearsome little girl named Idabel who may offer him the closest thing he has ever known to love.

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Genre : Literary Criticism
Publisher : GRIN Verlag
ISBN_10 : 9783640344987
Copyright Year : 2009-06-10
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Examination Thesis from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1, University of Freiburg, language: English, abstract: When In Cold Blood was first published, critics had a hard time categorizing the book. Capote himself held that he had written a “nonfiction novel (Capote in Plimpton 1966: 2)” and that he had thereby created an altogether new genre. In the subtitle, Capote stresses his central claim regarding this new genre, assuring the reader that what she is about to delve into is “a true account of a multiple murder and its consequences (Capote 2000 [1966]).” As will be seen in the opening chapter, criticism of In Cold Blood has therefore to a great degree revolved around Capote’s and the book’s adherence to this assertion of truth. The Shorter Oxford English Dictionary on Historical Principles (SOED) lists as the three first entries under the head word “true”: true /tru:/ 1 Steadfast in allegiance, loyal; faithful, constant (...). 2 Honest, honourable, upright, virtuous; straightforward, sincere (...). 3 Of a statement, report, etc.: consistent with fact; conforming with reality (...). The following investigation of In Cold Blood and of the biopic based on Capote’s work on the book, Bennett Miller’s Capote (2005), will proceed along the lines of these three aspects of the definition, questioning Capote’s claim of rendering a “true account.” The genre chapter and large parts of the ensuing discussion of In Cold Blood will be especially concerned with the definition’s third aspect, In Cold Blood’s consistency with fact and its conformity with reality. The question will be raised as to whether or not a true account of real events is possible at all, and in what ways Capote and other writers of New Journalism, as the genre is most frequently called today, have tried to achieve such true accounts.

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📒 Ideology In Cold Blood by Shadi BARTSCH

Genre : Literary Criticism
Publisher : Harvard University Press
ISBN_10 : 0674020553
Copyright Year : 2009-06-30
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Is Lucan's brilliant and grotesque epic Civil War an example of ideological poetry at its most flagrant, or is it a work that despairingly proclaims the meaninglessness of ideology? Shadi Bartsch offers a startlingly new answer to this split debate on the Roman poet's magnum opus. Reflecting on the disintegration of the Roman republic in the wake of the civil war that began in 49 B.C., Lucan (writing during the grim tyranny of Nero's Rome) recounts that fateful conflict with a strangely ambiguous portrayal of his republican hero, Pompey. Although the story is one of a tragic defeat, the language of his epic is more often violent and nihilistic than heroic and tragic. And Lucan is oddly fascinated by the graphic destruction of lives, the violation of human bodies--an interest paralleled in his deviant syntax and fragmented poetry. In an analysis that draws on contemporary political thought ranging from Hannah Arendt and Richard Rorty to the poetry of Vietnam veterans, as well as on literary theory and ancient sources, Bartsch finds in the paradoxes of Lucan's poetry both a political irony that responds to the universally perceived need for, yet suspicion of, ideology, and a recourse to the redemptive power of storytelling. This shrewd and lively book contributes substantially to our understanding of Roman civilization and of poetry as a means of political expression. Table of Contents: Preface Introduction The Subject under Siege Paradox, Doubling, and Despair Pompey as Pivot The Will to Believe History without Banisters Notes Bibliography Index Reviews of this book: The problem of Lucan's stance is notorious, and it is the focus of Bartsch's book...She makes her own gripping contribution to the dossier of Lucanian despair in her first two chapters; but she believes that ultimately such interpretations sell the poet short, as an artist and a person. Her Lucan, both inside and outside his poem, is a Sartrean existentialist or a Rortyan moral ironist, who accepts the evanescence of traditional moral and political verities but who behaves as if his ideology matters anyhow and makes his choice regardless. Hence the "ideology in cold blood" of her title: Lucan knows, and spellbindingly demonstrates, that Liberty is a cipher, but he commits himself to it none the less. Bartsch has put her finger on a key issue, and her passionate book is a useful check to the establishment of a new orthodoxy on Lucan. --Denis Feeney, Times Literary Supplement Reviews of this book: This could be that elusive creature, an Important Book. --Gideon Nisbet, Bryn Mawr Classical Review Reviews of this book: This is a stimulating work, which I find has provoked many questions about Lucan's poem, about liberal irony, and about history...The strengths of this book lie in its brevity, in its integration of detailed analyses with broader theoretical issues, and in its accessibility. It addresses a question which is of relevance to not only Lucanians, or Latinists, or classicists, but anyone who thinks about the politics of literature. --Ellen O'Gorman, Classical World Reviews of this book: Bartsch goes far beyond the boundaries of Lucan's Civil War itself. Readers interested in Latin literature in general, in the civil wars that ended the Republic, in the political context of the first centuries B.C.E. and C.E., in questions of human response to political repression long after Lucan, and those interested in Lucan himself as poet and conspirator, will want to read Ideology in Cold Blood. Bartsch has taken two prevailing camps of criticism--Lucan as "nihilist" and Lucan as "partisan"--and proposed an elegantly argued third alternative: Lucan as "political ironist." --Choice Reviews of this book: Ideology in Cold Blood provides a strikingly dissident approach to Lucan in that it aims to weld together a text-oriented focus, a political reading of the Civil War and a discussion of Lucan's political activities, i.e. his involvement in the Pisonian conspiracy. Bartsch's decision to include a biographical approach in her analysis should not be taken for bland naivety coming at a time when influential scholars on Lucan have come to reject this approach for the blatant fallacies that it entails. Bartsch offers something completely novel in this area, for it is entirely obvious that her sympathies do not lie with forms of historical reconstructionism in which the biographical data are simply made to correlate with the presumed political message of the poem...[Bartsch's book] will surely be ranked among the best works on the poet and I strongly recommend it to scholars interested in the literature of the Principate and in the role of Roman political epic. --Marc Kleijwegt, Scholia

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